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English Senior High

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12 be pp.192-197 不定詞(1) Lesson d e 3[ ]内の語句を適切な位置に入れて,全文を書きなさい。 C ■不定詞の意味上の主題 (for +名詞)を不定詞の前 に入れる。 e cp m 1. It was natural to have the same opinions about the novel. [ for John and Bob] Key Sentence で Check! [ ]内のヒントを参考に, ( )内に適切な語を書きなさい。 )a soccer game is interesting. )in the Major Leagues. [watch] 0( (playl n [work」 2. I think it easy to read these English books. [ for me ] 2 My goal is ( 3 She hopes ( のIfound it difficult ( )for UNICEF (inish) [あなたが )my homework by the deadline. 6 It was a mistake ( ) you to accept that job. 4 英文を日本語にしなさい。 1.I didn't know what to buy for her birthday. D ■疑問同に続ける不定調 (疑問詞+ to do)という組 み合わせで名同のはたらき をする。 * what to do 「何を()す べきか」 how to do 「どのように するのか/…の仕方(や )the same mistake twice. 6 My motto is( [決して…しないこと:make] [何をすべきか ) to do. 私は[ わからなかった。 のIjust don't know ( 8 Can you tell me ( ) start a blog? …する方法 2. The old man told me how to keep healthy. 老人は私に[ 話した。 り方 -where to do 「どこにど こで)するのか」 * when to do 「いつ…す るのか」 Stage1 3. You must remember where to put the books. あなたは[ 覚えておかなければなりません。 1 日本語の意味に合うように, ( )内に適切な語を書きなさい。 1.失敗から何かを学ぶことは重要だ。 ) is important ( ■主話になる不定詞 主語の位置に形式主語の を使って、不定時をあとに まわすのがふつう。 ABC Stage2 ) learn something from ■他動詞の目的語になる不 5 日本語の意味に合うように,不定詞を使って、英文を完成させなさい。ただし、 [ ]内の動詞を使うこと。 1.彼の目標はォリンピックで金メダルを勝ち取ることだ。 His goal Olympic Games. your failures。 定国 他動詞の直後に置く。 SVOCの文型では目的題 の位置に形式目的語のはを おき、(S+V+it+C+D do)の思順にする。 ABCD 2.彼をテニスで打ち負かすことは難しいと私は思った。 I found( ) hard ( )beat him in tennis. a gold medal at the [win] 3. 私たちが時間を浪費しないことは重要だ。 ■不定詞の否定 to doの直前にnotやneer を入れる。 It's important for us ( ) waste time. 2. ルーシーはひと月に一度は私に手紙を送ると約束した。 me a letter once a month. [ promise / send ] Lucy 2[ ]内の動詞を使い, 適切な語を補って, 対話文を完成させなさい。 AB ■補語になる不定R be 動詞などに続けて、主 語について述べる補語とし て使う。 1. A:What's your dream? md )a doctor! [ become ] 3. 私は新年の抱負を破らないように努めた。 my New Year's resolution. [break ] Itried 2. A:Our plan for this summer is ( around Hokkaido. B:That sounds nice. Can I go with you? [ drive ] 4.(バスで運転手に行き先を伝えて)いつ降りるのか,私に教えていただけ ますか。 Could you tell me 3. A:Charlie decided ( ) the company next month. B:Iheard about it. He is going to start a new business. [get off] [ leave ] 5. 私は英語を学ぶことは必要だと考えている。 I think it English. [ learn ] ne Never tell people how to do things. Tell them what to do, and they will surprise you with their ingenu。 - George Patton このようにすべきかを教えてはならない。何をすべきかを教えよ。 そうすれば人々は驚くほどの才能を発揮するだろう。 ージョージパットン 41 40

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English Senior High

問3について ④みたいな選択肢のとき、ついついwhenを 「~とき」と訳してしまいます。 模範解答は「いつ、他者のそばに立つべきか」と書いてあったのですが、なぜこのときはwhenを「いつ、~」と訳してるんですか?どういうときに「いつ」と訳せばいいんでしょうか? あと、「~... Read More

第6問(配点 24) A findings to your classmates. social positions. Personal Space and Culture Hall also told an interesting story illustrating cultural influenee, He was Sitting alone on a chair in the lobby of a hotel when an unfamiliar Arabian man came within arm's length) The man looked as if he was waiting for someone and stood in front of than an Asian person. strangers. him. Due to his personal space being violated, he felt very uncomfortable and tried to show his discomfort, but the Arab did not seem to notice at all) Hall had no idea why the man was standing so close, thinking that even in a public place like a hotel lobby, someone's personal space should be respected by others. Afterward, when he 0 taik with your friends even when thev are closer than this distance. However, you met his Arab friend, Hall asked why the man had acted so rudely. His friend said, “That's just an American idea. Arabs believe that personal space does not exist for anyone in a public place like a hotel lobby." Furthermore, a distance of less than 1.5 feet (46cm) from you is called *“intimate In a globalized society, knowledge of cultural influence on interpersonal distance aistance." Since physical contact with others is likely to occur within this distance, is necessary in daily life/ People from different cultural backgrounds have a personal only those who have a very close relationship with you are allowed to come nearer space of a different size, and it is very likely that you will mistakenly violate their than that. By contrast, when you step into a stranger's space formed by intimate personal space. This may sometimes cause(serious trouble, Therefore, understanding distance, they may feel that you are trying to frighten them or physically attack them. the sense of interpersonal distances in other cultures will help avoid conflict with Hall classifies “personal distance” and “intimate distance” as someone's personal others. space. The space outside of your personal space can also be divided into two types, depending on the distance./ A distance of between 4 feet (1.2m) and 12 feet (3.7m) from you is called “social distance," and a distance of more than 12 feet away from you is called"distance." in non-situations, in business or parties, place at a social . On the other hand, a public distance is a public speech. You also to keep this distance when meeting people in important The point here is that , , the same for all , but are by your or, , by the culture you belong to. , that people in South , in , space than people in Asia, a South will allow a to get closer 3- 31 3- 30

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English Senior High

2枚目下から2段落目のhis first oratorio in Englishだけを見て、 彼にとって初の英語のオラトリオなのか 彼の初めてのオラトリオが英語でかかれたのか、 どちらか特定することは可能ですか??

The two greatest composers of the Baroque era would be George Your group is preparing a poster presentation entitled “The Greatest Baroque Frideric Handel and Johann Sebastian Bach. Handel was born in Halle, | Brandenburg-Prussia (nowGermany), in 1685. Unlike Bach, who was born 54 第5問 (配点 20) is Composer," using information from the magazine article below. rade and four fingers on ト m to be able to perform into a great musical family, Handel's father was a surgeon. rwhich he wrote severa/ apse again wathina yea. Handel composed his S Handel showed an exceptional talent in playing instruments from very early age. He learned harpsichord, violin, and organ from the organist at the Halle parish church, Friedrich Wilhelm Zachow. Zachow recognized a Handel's extraordinary talent and systematically introduced him to a diakand to give charity slist pertormed in D , but enjoyed great variety of styles of music. He also taught Handel composition. It is said L.he was invited byr th. that Handel started to compose at the age of nine. In 1702, Handel became the organist at the Calvinist Cathedral in Halle. The wage was good, but the contract was just for one year. The next sperformed and loved ba In1752, Handel co. Sal. he continued to p year, he moved to Hamburg. He was hired by the orchestra of the Hamburg Oper am Gànsemarkt as a violinist and harpsichordist. In 1705, his first opera Almira was produced. In Hamburg, he made three more operas. He was recognized as a brilliant opera composer. tan three thousand pe Handel was invited to Italy in 1706 by Gian Gastone de' Medici, who had a keen interest in opera. Rodrigo, Handel's first all-Italian opera, was produced in Florence in 1707. In 1709, he produced another opera, Agrippina in Venice. It turned out to be a huge success and ran for 27 nights successively. In Italy, he also composed oratorios like La Resurrezione and II Trionfo del Tempo e del Disinganno. The oratorio 1S a narrative musical work for singers and an orchestra., based on a story from the Bible. Handel moved to England in 1712 and decided to live there permanently (He changed his nationality in 1727.) In 1713, he composed Utrecht Te Deum and Jubilate for Queen Anne, and was granted a yearly income O1 rer ir Ag Cos reciam al the Rigral Acade scanding qpers hke Cioh demy cadsed to functh

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