線を引いたところの訳し方を丁寧に教えて頂きたいです🙇‍♀️

L American poet Ralph Waldo Emerson once said, "Every artist was first an amateur." He likely never thought those words would apply to machines. Yet artificial intelligence (AI) has demonstrated a growing talent for creativity, whether writing a heavy-metal rock album or producing an original portrait that is strikingly similar to a Rembrandt. Applying AI to the art world might seem unoriginal; there are, of course, plenty of humans delivering awe-inspiring work. Supporters say, however, the real beauty of training AI to be creative does not lie in the end product-but rather in the technology's potential to expand on its own machine-learning education, and to solve problems by thinking in different ways far faster and better than humans can. For example, creative problem-solving AI could someday make snap decisions that save the lives of the passengers in a self-driving car if its sensors fail. AI with a creative component will be essential in developing highly automated systems that can respond appropriately to human life, says Mark Riedl, an associate professor at Georgia Institute of Technology's School of Interactive Computing. "The fact is, we do lots of little bits of creativity every single day; lots of problem-solving goes on," Riedl says. "If my son gets a toy stuck under the couch, I have to devise a tool from a hanger to get it out." Riedl points out human creativity is also important in human social interactions, even telling a well-timed joke or recognizing a pun. Computers struggle with such subtleties. An incomplete understanding of how humans construct metaphors, for example, was all it took for an experiment in Al-generated literature to compose a new Harry Potter chapter filled with nonsensical sentences such as, "The floor of the castle seemed like a large pile

ここの問題が分かりません、どなたか教えていただけないでしょうか、😭 見えずらいとこは（1）byで（2）toです！ お願いします！

(1) This song is loved (b/to/for) my friends. (2) This actor is known (for/10/from) young people. (3) The houses (am / is/are) covered with snow. (4) (Were/Did/Was) this picture taken by Ms. Smith? (5) What language is (speak / speaking / spoken) in Brazil? Th p

ｙ＝１/4X²です 最も大きいの求め方お願いします

+豆 図2のように, x軸上に点Bをとる。 点Pのx座標が-4の とき,△OPBが二等辺三角形となるようなBはいくつかある。 そのうち、Bのx座標が最も大きくなるときと最も小さくなると きのそれぞれについて,そのx座標を求めなさい。 16 = 図2 (−4,16)P) 0 B (4,0) 最も大きいx= 最も小さいx=-8 (4, 4)があり,直線 図3 x ① e-

下から15行目のthrow whichのthrow とはなんですか？

y II Day 12 15 5 Negro Leagues Baseball was a collection of major and minor-league baseball leagues that were the first to showcase black team sports on intertwined with the African American and American experience not only a national scale. Launched in 1895, the leagues, as with jazz, became as a cultural element, but as a lucrative business endeavor. team The leagues were not under central management, and schedules and composition League, were changeable from season to season. Appearance and disappearance of leagues was common: the National Colored Baseball for instance, collapsed after only two weeks of operations. Latins, especially Cubans, were also a significant presence on teams. In these ways, the Negro Leagues were quite similar to their white counterparts which would eventually consolidate into Major League Baseball. Blacks near the beginning of the 20th century had only a fraction of whites' purchasing power, so the emergence of the Negro Leagues might have seemed unlikely. However, the Negro Leagues had two main draws that accounted for its business success. The first was a deep reserve of athletic talent. After blacks were formally excluded from white leagues in the 1880s, the Negro Leagues were the sole organization through which black players could work professionally. The quality of Negro Leagues 20 players was high, and substantiated through exhibition matches between Negro Leagues and Major League teams: over the years, both had their fair share of wins and losses in these matches. Another reason for the success of the Negro Leagues was an increasingly affluent black fan base. Driven by American industrialization, blacks were concentrating in major cities such as New York City, Chicago, and Atlanta. Usually barred by custom-and in the South by law-from attending many white entertainment outlets, blacks turned to Negro Leagues games. As a result of these factors, by the 20th century the Negro Leagues were earning a combined millions of dollars. This profitability ended with the desegregation of Major League Baseball. Black fans began attending Major League games, starving the Negro Leagues of its core revenue source. By 1951, the Negro Leagues had ended, although a succession of black star athletes in the Major League had begun.

ベーシック固体化学の例題です。 理解の仕方・やり方を教えてほしいです。 よろしくお願いします。

例題 6-7 次のように CVD法による合成を行うと,どのような生成物が 得られるかを考えよ. (1) AlCl3 を,アルゴンと酸素を含むキャリアガスとして水と反応させる。 (2)WCl を,水素をキャリアガスとしてトルエンと800~1000℃程 度で反応させる。 解答例 (1) A1203 (2) WC

面積を求めるときにOB→とOP→を使って求めるのは出来ないのでしょうか。 OB→とOP→を使ったのですが出ませんでした。 途中式を捨ててしまったので、途中式を書いて欲しいです。

(3) 座標空間の原点を 0(0, 0, 0) とし, 2点A(1,1,0),B(1, -1, 0) を とる。点P(x,y,z) は、2つの条件 AP = 3, BP = √13 を満たす点とす る。このときは一定の値をとり,y= = 得る値の範囲は である。また,のとり ソ ≤ x ≤ タ である。 △OBP の面積が最大となるのはx= チ のときで,このと 1 面積は シテ となる。 2

答えは分かりますが、解き方がわかりません。 よろしくお願いします。

$2 関数F(s) = について、以下の問いに答えなさい。 s3 +8 (1) 次の恒等式が成り立つように、定数a,b,c の値を求 めなさい。 2 a bs+c = + s3 +8 s+2 s2-2s+4 (2) 関数 F(s) の逆ラプラス変換を求めなさい。

2） 3単語何が入るか教えてください🙇🏼‍♀️

Yoshida Nagi is a unique photographer. She often takes pictures in Africa and other places around the world. Yoshida became interested in African ethnic groups when she was five years old. She happened to see the Masai people, one of the ethnic groups in Africa, on TV. She did not know why, but she became strongly attracted to the Masai. She even thought, "I wish I were a member of their tribe." Soon after that, going to Africa became one of her dreams. She stopped going to junior high school in second. grade because she had trouble fitting in. In fact, she was bullied in both elementary and junior high schools. After leaving school, she worked for several years and saved money. Her childhood dream came true in 2009, when she was 23 years old. She finally visited Africa.

画像の問題の問7の答えが③になる理由が分かりません。 解説をお願いしたいです。

第1問 図1のように、なめらかで水平な床の上に, なめらか な表面をもつ質量 M の台が水平に置かれている。 台の右側は, 点を通る紙面に垂直な軸を中心とした半径の半円筒状に, 直方体がくりぬかれた形をしている。 図1は床に鉛直な断面を 示しており、 面 AB は水平で, 曲面BCになめらかにつながっ ている。 点0を原点とし、 水平右向きにx軸, 鉛直上向きに y軸をもつxy座標をとる。 重力加速度の大きさはg とする。 床は十分広く、空気の影響は無視できるものとする。 運動はす べて図1の紙面内 (同一鉛直面内) で起きているものとし、 以 下の問いに答えよ。 [1] 台を床に固定し,質量mの小物体を面 AB上のある点から 速さで水平右向きにすべらせた。 小物体は半円筒に沿って 運動し、BC間の途中の点Dで台から離れ, 最高点 Qに達 したのち落下した。 x軸とODのなす角をα 点Dにおける 小物体の速さを 点Dから点Qまでに要する時間を する。 小物体の大きさは無視できるとする。 Vo B 床 図1 問1 小物体がBD間の∠BOP = 0 となる点Pにあるとき, 小物体の速さを 0, 1, g を用いて表せ。 問2点Pで小物体が受ける垂直抗力の大きさNを,m,vo, 0, l,g を用いて表せ。 問3 速さを, α, L, g を用いて表せ。 D 台 問4時間 t を,,αg を用いて表せ。 問5点Qの座標 (X, Y) が次の等式で表されるとき, gのうちから必要なものを使って書き表せ。 ① (5) の空欄に入る式または文字を,,,, X= ① × ② - ③ × ④ xt YQ = ① × ④ + ③ × ② xt- ⑤ x t² [2] 台の固定を外し、 静止した台の面 AB 上のある点から, 質量mの小物体を速さで水平右向きにすべらせた。 小物体は 半円筒に沿って運動してある高さまで上がったのち, 台から離れることなく折り返し, 半円筒に沿って降りて面ABに引 き返した。 小物体の大きさは無視できるとする。 問6 小物体が最大の高さに達したときの小物体の床に対する速さを 02, m,Mを用いて表せ。 問7面ABに引き返した小物体が,床に対して左向きに進むのは,mとMの間にどのような関係があるときか。 次の①~ ⑧のうちから最も適切なものを1つ選んで番号で答えよ。 (1 1 -M m<- (7) m<2M ② m> -M ③m <M 4 m > M ⑤ m<√M ⑥m> √2M ⑧ m>2M

底面がAB＝BC＝AC＝６の正三角形でAO＝OB＝OCの三角錐がある。OA上に三角形PBCが正三角形となるような点Pをとる。このときの立体OーPBCの体積を求めよ　　という問題でOP対PAが分かれば求めることができると思ったのですが、求め方が分かりません。これ以外の方法でも... Read More

5 A B