第二段落三行目のhand on hipとhead on an angleのhandとheadは動詞として使われているのでしょうか？教えて頂きたいです。よろしくお願いいたします。

9 @ 次の英文を読み, 設問に答えよ。 1 Start State Jackie Jeant idly against the window frame, staring out at the beach in front of the house. (In the distance down the beach she could see the familiar figure in the blue dress slowly coming towards the house. She loved these moments when she could watch her daughter in secret Toni was growing up fast. 5 since she and the confused little seven-year-old had arrived here. How Toni had 5 It seemed no time adored her father! When she was still only five or six years old, they would all 出かける make the long trip from the city to the beach every weekend, and Toni would go out with him into the wildest waves, bravely holding on to his back, screaming in pleasure as they played in the waves together. She had trusted him entirely. And 10 then he had left them. No message, no anything. Just like that. She could make (2) Toni's figure quite clearly now. She saw her put her shoes onto the rocks near the water's edge and walk into the wet sand, then just stand there, hand on hip, head on an angle, staring down. What was she thinking? 手にす 目的 強烈さ Jackie felt a surge of love that was almost shocking in its intensity. "I'd do anything 5 for her," she found herself saying aloud, "anything." 中ては飛さない

最後の文の関係代名詞thatは何を指しているのでしょうか？教えて頂きたいです。よろしくお願いいたします。

→ Butがくる。 Indeed, this tendency is found often enough that it suggests a principle: とばしよみ we skim. 当てはまる。 And the better we are at something, the more likely we are to skim. This is true not 初見演奏 only in subjects like reading but in other fields, like music. Musical sight-reading is 楽語 the ability to play music from a printed score for the first time without the benefit o practice. Good sight readers don't read music note by note; they scan for familia 注 patterns and for cues (to those patterns.) Indeed, good sight readers seem to proces おんぷ B 1つずつ A groups of notes as a single perceptual unit. To use a metaphor: they see constellation 5) individual stars. (6) V This is what allows them to play with the speed an luidity that other musicians must practice to achieve. VK Viもある。 t これによって彼らは んになる

この文章についてなのですが二行目の元の文の形が分からなくてS pack us closely ならthe closely we are packedとなるのではないかと思ってしまいました。 それと、resentful ofのofは何にかかっているのでしょうか？each ot... Read More

eg. He attempted to cover up all the traces of his できている ~ようになる ある程度は いの Those of us who live in towns have learned to adjust ourselves to some degree to the kind of overcrowding 当然 which seems to be an inevitable consequence of city life; but, the closer we are packed, the more easily ・この単自体に resentful of éach other do we tend to become. 〈構造分析図〉下線部(1) 【対応構文】 254/6/211 "必然的 意味あいがある。 [the +&]+[the+):とうちの that those の形と同じ the kind of which より空には中身が分からない S pack us closely 【the closely we are packed 仲 なるほど which (どんな)を 待っている。

補語と副詞の違いを教えてください🙇‍♀️

以前画像3枚目の様に修飾限定予告のthatというものを習ったので今回もその形なのかと思い、それらのと入れずに訳してしまったのですがこのthoseの識別は文脈判断ということでしょうか？ 教えて頂きたいです。よろしくお願いいたします。

実理 K The starting point for today's *meritocracy, of course, is the idea that intelligence exists and can be measured, like weight or strength or fluency in French. The most obvious difference between intelligence and these other traits is that all the others are presumably changeable. If someone weighs too much, he can go on a その人 →Heyで受けるのが一般的 5 diet; if he's weak, he can lift weights; if he wants to learn French, he can take a course. But in principle he can't change his intelligence. There is another important difference 原則として MV between intelligence and other traits. Height and weight and speed and strength and サフィス体例 関係性が強い文がくる even conversational fluency are real things; there's no doubt about what's being 間違いなん measured. Intelligence is a much murkier concept. Some people are generally (2) m2 Vogue 10 smarter than others, and some are obviously talented in specific ways; they're chess 天才 S masters, math *prodigies. But can the factors that make one person seem quicker than another be measured precisely, like height and weight? Can we confidently say that one person is 10 percent smarter than another, in the same way we can say he's 10 へんて、いつだっ S percent faster in the hundred-yard dash? And can we be confident that two thirds of 櫂へん 言いかえ 15 all people have IQs within one standard deviation of the norm that is, between 90 ように and 110 - - as we can be sure that two thirds of all people have heights within one standard deviation of the norm for height? Yes, they can, and yes, we can. besure least, are the answers that the IQ part of the meritocracy rests on. Those, at (3)-

この問題合ってますでしょうか🥲🥲 4番の訳ってこれで大丈夫ですか、、？😭😭somethingの訳に毎回悩んでしまいます、、

1 英文中の空所に入る適切な語または語句を選択肢から選びなさい。 1. She seemed ( ① sadness ) after she saw the movie. ② sadly ③ sad 2. “You ( ) very nice in that dress. " “Thank you.” Sale @look 100k~のようにみえる ② watch 年をとらずにはいられない it fl ② look to be see □ 3. You can't help becoming old. No one can ( ① continue bid seemの後には形容詞 分詞 →~のように思われる ④ sadden bisa very nice という形がうしろにあるから ④ make < 東洋大 〉 < 淑徳大〉 young (あい)という形が うしろにあるから ) young forever. ③ remain ④ stay to be ~のままである 〈京都産業大〉 00

2つ目の例文がinではなくてonが使われているのがわからないです。島も広い場所、囲まれた内部なのでinではないかと考えてしまいました。 教えて頂きたいです。よろしくお願いいたします。

《〈場所〉を表す前置詞の違い> (1) at (2) on (3) in 「...で/...に」 「.../...」 「.../...に」 I'm at Tokyo station. 〈1次元〉 (心理的に) 狭い場所地点】 10smit al 〈2次元〉 特定の面線】 vievs+10) rope 【 〈3次元〉 (心理的に) 広い場所・囲まれた内部】 東京駅にいます。lludody bo It's always summer on this island.この島は常夏です。 I was born in this city. 私はこの町の生まれです。

一時的性質を表す時は後置修飾ならばhidden treasureではなくてtreasure hiddenの方が良いと思ったのですがどのように判断すれば良いでしょうか？教えて頂きたいです。よろしくお願いいたします。

① 名詞の前から修飾する場合 He was looking at the burning fire. 彼は燃えている火を見つめていた。 They found a hidden treasure. 彼らは隠されている財宝を見つけた。 [fire と burn が能動関係] [treasure と hide が受動関係〕 【注1】 分詞が形容詞として働き、名詞を修飾する用法。 原則として、分詞が単独に用い られる場合は名詞の前から修飾する。ingin 【注2】修飾される名詞と分詞の間に能動関係が成立する場合は現在分詞, 受動関係が成 立する場合は過去分詞を用いる。 【注3】 自動詞の過去分詞は完了の意味を表すことがあるが, fallen, gone などの限られた 動詞にしか用いられない。 以下の例文では,自動詞 fall 「落ちる」 の過去分詞 fallen は 「落ちてしまった」 という意味で後ろの名詞 leaves を修飾している。 We walked on the fallen leaves. 私たちは落ち葉の上を歩いた。 #101 ex) & He is gone e 名詞の後から修飾する場合 He was looking at the fire burning brightly, antalon [fire と burn が能動関係〕 彼は赤々と燃えている火を見つめていた。in They found a treasure hidden in the cave, add (treasure と hide が受動関係] 彼らは洞穴に隠されている財宝を見つけた。ATER 【注1】 同様に, 分詞が形容詞として働き,名詞を修飾する用法。 原則として、 分詞が目 的語・補語・修飾語を伴う場合は名詞の後から修飾する。 【注2】 修飾される名詞と分詞の間に能動関係が成立する場合は現在分詞, 受動関係が成 立する場合は過去分詞を用いる。 look at those working man (恒常的性質) | 《補語となる分詞》 ① 主格補語となる分詞 その単品でも 後ろから飾しょくする場合 people walking seem very tined (一時的性質) Othe person involved X the involved person The teacher kept talking to the children! 先生は子供たちに話し続けた。 F ⑧ The teacher remained surrounded by the children. od 90 lo ju bois W 絶対一時的な の VoCo farl 先生は子供たちに囲まれたまだった。 絶対にない!

解説お願いします。 (2)でd.whileにして、｢周りの人達が〜に見える一方で｣が間違いな理由を教えてください。 よろしくお願いします。

3 Many intelligent people have thought themselves slow and dull (1) they could not produce witty remarks in rapid succession? (2) their companions seemed able to do. (1) a. as (2) a. as b. because c. ifold. though b. because hinc. if oⱭ→) d. while di

下線部クの次のaccess〜のとこの訳が2枚目のカッコのとこだと思うんですけど、そこの「なかなかない」という訳がどこからきているかを教えてください

Mulky Today we live largely cut off from this spectacle, with smog and light pollution *obscuring our view of this *perpetual cosmic drama, the unfolding of which once seemed intimately connected to questions of both natural and social order. But if we want to see Mars as it appeared ancient humans, access to a clear night sky is only half of our problem. We also have to put ourselves in their minds. (ク) to (キ) [ 1 ] We have seen the surface of the Sun, the landscapes of Mars, the