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英語 高校生

文法の間違いや言い回しが変でないかなど添削して欲しいです。お願いします🙇🏻‍♀️

コミュニケーション英語ⅡI 表現課題 ⑤ 1.物語を作ってください。 タイトルもつけましょう。 ただし、教科書 p129 の 1 2 の 10 個の文の中から2 文、3の指示に従って作った英文1文の計3文は必ず含めてつくること。 使った3文については、赤で下線 を引いておくこと。 分量は250語以上書いてください。 語数は自分で数えてタイトルの行に書いてください。 ( 締切 / ) 21で作ったお話を授業内で発表します。 発表時間は2分以上6分以内です。 しっかり覚えて、 何も見ずに発 表できるように準備しましょう。 went Title 45 Once upon a time, there was a little girl named Mary She lived with her sick mother. The doctor wanted to Cure her mother's illness, but the problem is that he didn't know how to cure her. Then Mary thought that she might find out Something if she meet to a knowledgeable old man in town, so she is The old man said, "My wife had the same ? disease. But the medicine I got cured her." He had a provid expression. Mary asked him where he could get the medicine. 23 to the man. 82 " IL It's a scary witch's house," he said. Mary was scared, but 104 decided to go to the witch's house for her mother. After that, 116 She got a map and walked to the witch's house. 語 11 22 33 126 After walking for a while, it got darker and darker, and 139 it was very spooky. Mary was frightened but kept walking. 129. It was then. She found the witch's house! She was so happy that she opened the door without knocking. There was a witch there, and she said You are a bad girl to come into my house without knocking". The witch transformed her into a toad. She cried because she had not expected the witch was so Terrifying. Still crying, she insisted to the witch that she desperately wanted the medicine. The wich was mored by Mary's impassioned appeal. And the witch said of If you give me ten years your life, I'll give you the medicine? She accepted the offer. The witch restored her original form. and extracted the medicine from the flowers. Then she thanked the witch and returned home safely. Mary's mother was cared by the medicine and lived happily with Mary. Later that day. and she asked Mary went to thank the knowledgeable old man him how to convinced the witch to give the medicine. He said, 「 11 I told the witch that I would give you the life cr 11 of the next person who visited you for 10 years." (55

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化学 高校生

化学で鉛蓄電池の実験を行ったのですが、 考察の放電によって色が変化した理由がわかりません💦至急教えていただきたいです、!!

目的 鉛蓄電池を作って観察し、その特徴を理解する。 原理 鉛蓄電池の電池式:〔(-)pb|H2SO4ag/pb02 (+) 鉛蓄電池の模式図 (-), P.b 2e TILLD → Pb2+ PbSO4 (+) pb02 2H+2H+24.020²) -504²- SO4²- Pb²+ + Pb4+) zel Pb504 負極になる鉛板 操作 ① シャーレ中に図のように2枚の鉛板の間に ろ紙をはさみ、 3 mol/Lの希硫酸を2mL (ボトル全量)をろ紙に浸み込ませる。 (鉛板どうしは接触させない) ②2分間、 直流 3V の外部電源と鉛板の両端 をつなぎ、ろ紙と鉛の間に隙間ができないようにピンセットで押しながら電流を流す。 デジタルマルチ メーターで起電力をはかる。 2枚の鉛板がろ紙に接していた部分の色をそれぞれ観察する。 ③ 両端に導線をつないでプロペラを回転させ、とまったら、 両極の鉛板の色を再び確認する。 ④ もう一度②の操作を行い、プロペラにつなぐ。 電極装置の使い方 1.電源スイッチ (1) が OFFになっていること、電圧調節ツマミ (4)が 最小 (左にいっぱい)になっていることを確かめてから、コンセン トに電源をさしこむ。 2. 電流制限器(10) を右いっぱいにまわす。 (実験中、動かさない) 3. シャーレ中の上側の鉛板につけた導線は電源装置 (7) の +極に、 下側の鉛板につけた導線は一極につなぐ。 4. 電源スイッチをONにし、電圧調節ツマミ (4) を右にまわしてい き ゲージ (3) を見ながら必要な電圧 (3V) にする。 シャーレ 準備 鉛板×2、ろ紙、シャーレ、ピンセット、スポンジやすり、キムワイプ、外部電源、デジタルマルチ ・操 メーター LALALANIC 〕 794525 + 軽く水 洗い、 ■正極になる鉛板 硫酸をしみこませたろ紙 GA (11) 計測 操作 ・操作 (10) -(6) -(5) (1) 7

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化学 高校生

化学の実験で鉛蓄電池についての実験を行ったのですが、考察の放電によって色が変化した理由、正極と負極で起こったイオン反応式をそれぞれ示しながら、 説明するという考察がわからず、教えていただきたいです、、至急よろしくお願いします…🙏🏻

目的 鉛蓄電池を作って観察し、その特徴を理解する。 原理 鉛蓄電池の電池式:〔(-)pb|H2SO4ag/pb02 (+) 鉛蓄電池の模式図 (-), P.b 2e TILLD → Pb2+ PbSO4 (+) pb02 2H+2H+24.020²) -504²- SO4²- Pb²+ + Pb4+) zel Pb504 負極になる鉛板 操作 ① シャーレ中に図のように2枚の鉛板の間に ろ紙をはさみ、 3 mol/Lの希硫酸を2mL (ボトル全量)をろ紙に浸み込ませる。 (鉛板どうしは接触させない) ②2分間、 直流 3V の外部電源と鉛板の両端 をつなぎ、ろ紙と鉛の間に隙間ができないようにピンセットで押しながら電流を流す。 デジタルマルチ メーターで起電力をはかる。 2枚の鉛板がろ紙に接していた部分の色をそれぞれ観察する。 ③ 両端に導線をつないでプロペラを回転させ、とまったら、 両極の鉛板の色を再び確認する。 ④ もう一度②の操作を行い、プロペラにつなぐ。 電極装置の使い方 1.電源スイッチ (1) が OFFになっていること、電圧調節ツマミ (4)が 最小 (左にいっぱい)になっていることを確かめてから、コンセン トに電源をさしこむ。 2. 電流制限器(10) を右いっぱいにまわす。 (実験中、動かさない) 3. シャーレ中の上側の鉛板につけた導線は電源装置 (7) の +極に、 下側の鉛板につけた導線は一極につなぐ。 4. 電源スイッチをONにし、電圧調節ツマミ (4) を右にまわしてい き ゲージ (3) を見ながら必要な電圧 (3V) にする。 シャーレ 準備 鉛板×2、ろ紙、シャーレ、ピンセット、スポンジやすり、キムワイプ、外部電源、デジタルマルチ ・操 メーター LALALANIC 〕 794525 + 軽く水 洗い、 ■正極になる鉛板 硫酸をしみこませたろ紙 GA (11) 計測 操作 ・操作 (10) -(6) -(5) (1) 7

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英語 高校生

和訳お願いします。

次の英文を読んで, 設問に答えなさい。 [5] The headline grabs your attention: "The ancient tool used in Japan to boost memory." You've been The Japanese art of racking up clicks online more forgetful recently, and maybe this mysterious instrument from the other side of the world, no less! could help out? You click the link, and hit play on the video, awaiting this information that's bound to change your life. The answer? A soroban (abacus). Hmm, () それは私がどこに鍵を置いたか覚えておく助けになりそうには ないですよね? This BBC creation is part of a series called "Japan 2020," a set of Japan-centric content looking at various inoffensive topics, from the history of Hiroshima-style okonomiyaki pancakes to pearl divers. The abacus entry, along with a video titled "Japan's ancient philosophy that helps us accept our flaws," about kintsugi (a technique that involves repairing ceramics with gold-or silver-dusted lacquer), cross over into a popular style of exploring the country: Welcome to the Japan that can fix you. For the bulk of the internet's existence, Western online focus toward the nation has been of the "weird Japan" variety, which zeroes in rare happenings and micro "trends," but presents them as part of everyday life, usually just to entertain. This sometimes veers into "get a load of this country" posturing to get more views online. It's not exclusive to the web traditional media indulges, too but it proliferates online. Bagel heads, used underwear vending machines, rent-a-family services - it's a tired form of reporting that has been heavily criticized in recent times, though that doesn't stop articles and YouTube videos from diving into "weird Japan." These days, wacky topics have given way to celebrations of the seemingly boring. This started with the global popularity of Marie Kondo's KonMari Method of organizing in the early 2010s, which inspired books and TV shows. It's online where content attempts to fill a never-ending pit - where breakdowns of, advice and opinions about Kondo emerged the most. Then came other Japanese ways to change your life. CNBC contributor Sarah Harvey tried kakeibo, described in the headline as "the Japanese art of saving money." This "art" is actually just writing things down in a notebook. Ikigai is a popular go-to, with articles and videos popping up all the time explaining the mysterious concept of ... having a purpose in life. This isn't a totally new development in history, as Japanese concepts such as wa and wabi sabi have long earned attention from places like the United States, sometimes from a place of pure curiosity and sometimes as pre-internet "life hacks" aimed making one's existence a little better. (B) The web just made these inescapable. There's certainly an element of exoticization in Western writers treating hum-drum activities secrets from Asia. There are also plenty of Japanese people helping to spread these ideas, albeit mostly in the form of books like Ken Mogi's "The Little Book of Ikigai." It can result in dissonance. Naoko Takei Moore promotes the use of donabe, a type of cooking pot, and was interviewed by The New York Times for a small feature this past March about the tool. Non- Japanese Twitter users, in a sign of growing negative reactions to the "X, the Japanese art of Y" presentations, attacked the piece... or at least the headline, as it seemed few dove the actual content of the article (shocking!), which is a quick and pleasant profile of Takei Moore, a woman celebrating her country's culinary culture. Still, despite the criticism by online readers, the piece says way more about what English-language readers want in their own lives than anything about modern Japan. That's common in all of this content, and points to a greater desire for change, whether via a new cooking tool or a "Japanese technique to overcome laziness." The Japan part is just flashy branding, going to a country that 84% of Americans view positively find attention-grabbing ideas for a never-ending stream of online content. And what do readers want? Self-help. Wherever they can get it. Telling them to slow down and look inside isn't nearly as catchy as offering them magical solutions from ancient Japan.

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