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英語 高校生

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ーー 次の英交を読んで, 後の設問に符えよ。 J Nor long ago, Bernard Levin wrote a piece in which he confessed,|a touch gleefulli, amd asleep。 and ra he loved. but haller ieft him cok artificial This、 coming frOm a art forms more artifcial than at he did not care for balet_ Ope ③ his he put dowm io the fact that he found it jover of opera. 1 found very strange。 There can be few 。 opera. in yhich the characters sing instead oC speak_ repeat things rathermore often an還識 we do in fe in a language which the audience scldom understands and play out a Stor7/ hich bas to be learnt beforehand if one j8 ー Twish TIiked opera. Treally do。 1have made every efforr Well quite a 知w efOrGS エ once heard Rossins TLa Cenerentola' on Radio 3 and enjoyed it a lo fnding it very fanny, ie despite not ( ⑮ ) the story。 There was a producton ( ⑥ ) in London a few months, Jater, so Iwent to see it一 and sat stonyaced throughout the entiro evening The onhy *Pit Tcan remember now was where a messenger yas being dispatched fronu court TgoTgoF he sang -Then go・sang is master ga TgoTago ・Then go, then go sang the chorus famigi 'e replk ttook him about tyo minutes to go. This 1 found quite fanny though 1 dont think ④ it was meant to be: る Butis notthis sort of arGificiality that disturbs me. The reason 1 dont hike opera 5 quite simply that 1 dont like the way they sing 環hnd the lassical convention of singtng whetherin opera or "ieder, so mannered, so alien andL T'snppose so unnatural that it NIS To become a good opera singer you have to gO through years of training in which the voice acquires a "timbre as artificial in its own way as the acting 2s in Noh plays or the dialogue in "situation comedies. Tf you like it is great If you dont @ (area closed プョンjsンartンwhole oo you. T havent discussed this with Bernard Levin for the simple reason that T haVe_neVer met him but I would imagine that there are sounds which he finds equalhy alien 一 the sound of the saxophone in jazz, perhaps or of the electic blues guitar, sounds which are o meat and dripk to me. IS a question of personal taste, perhaps of some kind of personal -chemish- Unfortunately for me。 there are some composers who wrote the kind Tjove but who decided to specialise in vocal music so ⑤ most of their output is o8 me *Bernard Levin : イギリス人ジャーナリスト (1928.2004) "bit : 「(劇, 映画などの) 一場面(部分」 "jieder :「リート : ドイツ歌曲] 単数形は lied。 "situation comedy : 「(テレビ・ラジオの) 6

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英語 高校生

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英語 高校生

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で の) cowsesc議 Do You Know rhe Spor 電はトーきれれば| いなのがわかりましな にiaのられたので. 邊は時らしげに見えました) ahed by the coacb。 he looked proud joying rmm widh al his might 中e soldier was exhausted その大二は人れ乗てでしまいました 人用89な分同醒文 @5H5ZPZoZsP enerany speakiggr heigh is an advantage ip Pa て 巴み語いことは琶に有利でオッ) 人には質放的に用いられるさまざまな表現があります。 この電合 主画が主丈具なって でん。 fankly speeking「宗直に言えば stGctiy speakingt 能容に言えば1 speaiane ekimg) orー「ーときえば』 judging fiom 「ごから着断すると considcrne [一を双起す ると gakipg 一 れると」など。 peakime or ocger dd you watch the game ast night2 (① フカーとえば 中の人を王ましたかる) 愛国准況with 現在分詞 / 過去分詞 E時Zs革=Eie Sje ran on he rack with her ong hair blowing in the wind. 人彼女は風に長い髪をなびかせながらトラックを走りました。) je skafer was watching the electric scoreboard with her arms folded. (そのスケー ト選手腕を組んで電光掲示板を見つのていました。) > (mi抽 +現在分詞/過去分詞) で。 [一が…して [されて] いる状態で] という意味 (和入状況 します。ーの部分に来る語句 (her ong hair / her arms) は分詞 (blowins / toldeQ) とSV の あり. その関係が能動の場合 (Her long hair was blowing in the wind.) は現在分詞が覗わ の環合 (Her arms were folded.) は過去分詞が使われます。 game jnto consideration「一を考慮に

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