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英語 高校生

日本語訳お願いします! 3段落目からでも構いません。 ざっくりとした内容だけでもお待ちしてます(><)

テキ Mueic has been used to help people with a variety of probleme. These problems can be both physical and emotional ones.『For example」music has been used to bi) ooplo」 with Jearning diHycultiew, speciml meeds, depression brain damage and pereonalifrl People also tee music 66 eieve stress。 They ma Hheir favorite 和夫 they arrive home after a stressful day. The use cFmusicto healor help peopleAe called( ア ). At some very deep 1evel」 [human beingslhave a connection th mueic。 民 can change our moedand sfctouremotions、オThig janotsurpriaing_ because の 人 ず 1 exigted in humah GSilzation。and now eximte TE pr ctBef im ceording tolsome studies, six-month-old babies re でmoreyto their mothers 7 compared to (蘭BJn_some waya the human hb 6 De eeen aga rg の2本22 netrninent ー wecanclap, fammp and eing。 The hea 半 can be compared to the beatof adrum and even our breathing bas a ce musical選 rhythmtoid ウ 0 leociatione with difierent songs 6pt tusic. For example, many couples have hich may remind them of some happy Gime in the past IMusic therapy uses this deep human response to music to treat people。 Therapists have to be such skiled musicians that they are able to improvise and match the mnsic to each patient. Naturally, patients participate as much as poseible in the making of the mueic. If they are able to play, patients can choose derent instruments from drums to maracas or the piano, and use these to develop their own musical expression。 Of couree』 using your own voice is fine too! Experiencing music together and developing a relationship between therapist and patient are important parts of the reatment. Although science has yet to prove precisely how music therapy works,オ there is no doubt 』 that it doee work. There are many case studies which support this, and the fact that mi therapy ha existed for over 2.000 yeare points to is usefulness。 Tn addition 赤 has be acknowledged and dsed by many organizations from hospitals to prisons。 The Federations of Music Therapy Wa founded in 1985 to help further its d promote its uee. Mugic Therapy is also being acknowledged in higher education。 State Univereity is planning to 1aunch ite own music therapy degree program to tran mueic therapists 一 the firat ofite kind in the world. Whether you are a stressed executive, sufer from depression, or ha condition,js certain that( カカ ). 2 no their own physical and mental health and therefore, they( キ T eeeiw mm rmd varine aermaive heaing miode mudh

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英語 高校生

この英文の訳を教えてください!

本以下の天支を説み、問[1]ーhOl に答えよ。 mmem eeimmet me Yords 7e snd odemy did not erist。and (na_maouise om cam and run sway. Words are added to language 説ii5EBRIy aa new things are invented. Changes in eocicty also cause changes in Eimple。 today the people cf the former Soviet Union use words like なme *cap7Za/js7. itude aleo affect language。 As people become more sensitive to the rights 旧説Widdas it becomes necessary to change the words we use to *describe them. now called seior ogzeps 記Gf the words we once used had negative feelings attached to them_ New me me to idenhity people heve chaneet many Bmes in reeent ye Do we cal as person cf Ts it better to say page 4mercns or 4oerican Tf we dont know what the mst use sensitivity。 Teamec。 and en a idle imarination 8m our language in the past decade has been the changing role of ae witime when nn unmaried woman yas caled a wikward and sily, such as charrfor *chairman. 75sper for 6Peonle oNen feht change cntiiitbeeomes a famihar equally in 1anguage as well as in society. can cause changes in attitudes. If every person iize that men arent the only ones who are words that indicate only one *gender and females. Thus, a poetess is called uapkzoみ earzzg 7 75getper Partiy abridged) を受けるに値する spinster オー tion 大企業 ineman 鉄造の保線 efer 言及する gender 文化的・社

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英語 高校生

ピンクの部分の並び替えがわかりません

次の英文を読み p.14 の問いに答えなざい。(50 ) ndying a foreign language is in 8ome people think le the best time to begin 隊」 ir /ie /it/ 1earn / to childhood and that/theyoungsr you are the (another amテーーー 3 08886 tomursue languaee st Janguage. While itjis true.that an early start 谷idreninlangnageclaeerooms coverlonger periodsoftime,thereislittle evidence 講和人eS二お3EE生NNN1HIGUeYoOm mnton ( 2a ): better memories, more_efficient ways of organizing information、lon attention spans, better study habits, and greater abihity to jandle complex mental ecessary for their educaton most formal languaee tasks. ( 2b ):they see learning a foreign language 88 mi or career,( 2c ),twofactors that receive great attention in 10 classrooms. Adults usually want to learn a foreign language in a Ne children、who candevote manyyearstolanguageunastery。 Also,adults havecomplex communication needs (3)( abiity / wewwm / extend / mere / that/ the) to carry on simple conversations Adu】ts need to be able to argue, persuade、express COncern。 Object、explain、and present information about complex matters that *pertain to their life, interests、 work, hey often deny 15 or education. (④)Because most adults do not like to appear. themselves opportunities to practice for fear of making Wi or of not getting their message across. In addition, adults have more trouble than childyen in making new friends who speak the foreign 1anguage. to support the notion of children's superiority 20 One example usually given 1anguage learners is their ability to pick up an authentic accent. Itis usually observed pi t好at children of immigrants learn to speak the language of ther adopted country

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英語 高校生

色をつけた部分の訳し方をお願いします。

ーー 次の英交を読んで, 後の設問に符えよ。 J Nor long ago, Bernard Levin wrote a piece in which he confessed,|a touch gleefulli, amd asleep。 and ra he loved. but haller ieft him cok artificial This、 coming frOm a art forms more artifcial than at he did not care for balet_ Ope ③ his he put dowm io the fact that he found it jover of opera. 1 found very strange。 There can be few 。 opera. in yhich the characters sing instead oC speak_ repeat things rathermore often an還識 we do in fe in a language which the audience scldom understands and play out a Stor7/ hich bas to be learnt beforehand if one j8 ー Twish TIiked opera. Treally do。 1have made every efforr Well quite a 知w efOrGS エ once heard Rossins TLa Cenerentola' on Radio 3 and enjoyed it a lo fnding it very fanny, ie despite not ( ⑮ ) the story。 There was a producton ( ⑥ ) in London a few months, Jater, so Iwent to see it一 and sat stonyaced throughout the entiro evening The onhy *Pit Tcan remember now was where a messenger yas being dispatched fronu court TgoTgoF he sang -Then go・sang is master ga TgoTago ・Then go, then go sang the chorus famigi 'e replk ttook him about tyo minutes to go. This 1 found quite fanny though 1 dont think ④ it was meant to be: る Butis notthis sort of arGificiality that disturbs me. The reason 1 dont hike opera 5 quite simply that 1 dont like the way they sing 環hnd the lassical convention of singtng whetherin opera or "ieder, so mannered, so alien andL T'snppose so unnatural that it NIS To become a good opera singer you have to gO through years of training in which the voice acquires a "timbre as artificial in its own way as the acting 2s in Noh plays or the dialogue in "situation comedies. Tf you like it is great If you dont @ (area closed プョンjsンartンwhole oo you. T havent discussed this with Bernard Levin for the simple reason that T haVe_neVer met him but I would imagine that there are sounds which he finds equalhy alien 一 the sound of the saxophone in jazz, perhaps or of the electic blues guitar, sounds which are o meat and dripk to me. IS a question of personal taste, perhaps of some kind of personal -chemish- Unfortunately for me。 there are some composers who wrote the kind Tjove but who decided to specialise in vocal music so ⑤ most of their output is o8 me *Bernard Levin : イギリス人ジャーナリスト (1928.2004) "bit : 「(劇, 映画などの) 一場面(部分」 "jieder :「リート : ドイツ歌曲] 単数形は lied。 "situation comedy : 「(テレビ・ラジオの) 6

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