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英語 高校生

最初の一文の肘掛椅子に座って旅行をする方が好きだ。という訳なんですがその日本語が分かりません どういう意味ですか?

第6段落 or myself, I prefer doing my traveling from an armchair. 2I like imagining all those journeys that, despite human creativeness, one has never made and will never make. 3I れ to think, for example, that I have arrived in the world by stork. 4I like to travel oster than time and have a look at the year 2020, or go back into the past and talk to famous people. l also like to travel like a shell across ocean floors where I can explore the wrecks of ships and see curious fish that people never have seen. 1私はと言えば,ひじ掛け椅子に座って旅行をする方が好きだ。 2私は, 人間に創造性が備わ っているにもかかわらず, 誰も今までにしたこともないし, これからも決してしないような旅 を想像するのが好きなのだ。 3たとえば, 自分がコウノトリに運ばれてこの世に現れた,と考え ることが好きだ。4私は時間より速く旅をして2020年を見たり, 過去に戻って有名人と話をした りするのが好きだ。 5私はまた, 船の残骸を探検したり, 人々が今までに見たこともないような 奇妙な魚が見られる海底を貝のように旅をするのも好きだ。 1Das for A「Aに関して言えば」 ロ prefer doing 「…する方を好む」 口armchair 「ひじ掛け椅子」 そ、彼佐 t?用 ゆ々 念 nd

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英語 高校生

2にはdisinterested、3にはfalseが入ります。 この文章の最後のThe ideaからの1文が、意味も、falseが入る理由もわかりません。 よろしくお願いします🙏

Play and art are alike in that both activities appear superficially at any rate>to lack the compulsion associated with biological necessity. We seem not to have to play in order to survivé; nor are we obviously compelled to paint pictures, compose music, or sculpt statues. Although one can imagine that a man might be forced by S. another to create sómething, it is generally true that art is a voluntary activity, and that creativity_flourishes best (in the absence of compulsion. The same is true óf play. \For, although one might compel a child to play a game\against his will, the game will straightaway lose one of the characteristics)that makes(it play. If it is accepted that both play and art are essentiarty voluntary, it follows that both are generally( 2 )activites. | Although games. can be turned into ways of makinga living by those who are particularly skilful players, (hey do not originate in this way. Although creative productionv may turn out to be financially rewarding, men do not primarily engage in it for the sake of financial gain. Both games and werks,of art stand somewhat outside the ordinary course of life, and 'do not appear to be associated with the immediate satisfaction of wants and appetites. The idea that a novelist, for example, could sit down and write a popular romance for cash with her tongue in her cheek is almost certainly( 3 ).

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