この問題教えていただきたいです。お願いします。

内の語句を並べかえて、会話を完成させましょう。 下線の語は形を変える必要があります。 "(run /is/ in the morning / early) very refreshing." "Yes, it really is." "(I/ eat / stop / so much / will / sugar)." "Are you serious? You are eating cakes now." "How (play/tennis / next Saturday / about )?" "Sorry. I have other plans." "My father hates (play / games / me / video )." "So does my father."

解答だけでいいので教えてください🙇‍♂️

28. ( ) near the center of Tokyo, this university is popular among those who want to study in a big city. A. Having located C. Locating 29. A lot of people were surprised that a singer-songwriter ( for Literature in 2016. A. awarded for C. was awarded 30. The student you are looking for is ( A. the taller in C. the taller than 31. This is the only case ( A. how 32. We agreed that ( B. what B. Located D. Locational A. many of the criteria are C. one of much criterion are 33. My son was still sound ( A. asleep B. B. awarded to D. was awarded to ) you can cancel the ticket for free. C. where ) the Nobel Prize ) the two over there. B. the taller of D. the tallest between ) not applicable to the present situation. B. many of the criteria is D. one of much criterion is D. whose 34. The idea that my friend might not be telling the truth ( A. came B. hit C. occurred ) when I left home for work. C. sleepy sleeping D. slept ) into my head. D. struck

smartphonesが一般的でない理由はなんですか？ また、英作文でsmartphonesと書いたら原点されますか？😭

① ｢多くの人はさまざまなアプリをスマートフ many [a lot of] , Hand people have various apps on their phone(s) とします。 on their smartphone(s) は一般的ではありません。 は ォンに入れている」 ANI Jon ob odw

1〜3がどうしてこの計算になるか分かりません。 解説お願いします🙏✨

VAH 例題25 力学的エネルギーの保存 ともになめらかな, 斜面 AB と水平面BC がつながっており, 点Cにばね 定数 50N/m の長いばねがつけてある。 水平面 BC から 2.5mの高さの点Aに質量 2.0kgの物体を置き,静かにす べり落とした。 ただし, 重力加速度の大きさを9.8m/s2 とし, 水平面 BC を 高さの基準にとる。 解答 (1) KA+UA=0+2.0×9.8×2.5=49J (2) 力学的エネルギー保存則により KB+UB=KA+UA (1) 点Aでの物体の力学的エネルギーは何Jか。 (2) 水平面 BC に達したときの物体の速さは何m/sか。 [2] 3 0 50 (3) 物体がばねに当たり, ばねを押し縮めていくとき, ばねの最大の縮みxは何mか。 よって 1/2/3×2.0ײ+0=49 v²=49 ゆえにv=7.0m/s IPOINT 復用 ①運動エネルギー K: K=1/12m0² ② 重力による位置エネルギー U=mgh ¥59,60 2.5m 指針 (2),(3) 重力や弾性力 (ともに保存力) による運動では, 力学的エネルギー (運動エネルギーKと位置エネルギー の和)は一定に保たれる。 すなわちK+U=一定 27.02 25 5.02 x² = 49 B (3) (2)と同様に, K + U = KA + UA ばねが最も縮んだとき, 物体の速さは 0 であるから K = 0 よって 0+1/2×50ײ=49 解説動画 ゆえに x=1.4m ORIO ③ 弾性力による位置エネルギー U= =1/1/2k.x2 -kx² リー 例 000 編 オ

the manに対する二重限定の可能性を否定しているところの説明が理解できないので、どうして二重否定にならないのか噛み砕いて教えていただきたいのと、一枚目に続くページなのですが、マーカー部分の判断の仕方がわからないので教えていただきたいです。

例題 31 Manual labor was (highly) valued. (Later it was the man who worked with his head to achieve success in business and industry who was looked up to. Now) there is (in Americà a curious combination 6f pride)ín having risen to a position (where it is no longer necessary) to depend upon manual labor for a living and genuine delight(in what one (is able to accomplish (with his hand) 読解プロセス 第1文は問題ないでしょう。 第2文, (Later) it was the man [who who は, the man にかかる関係詞節で, [who * * * worked (with his head) 〈大阪府立大> {to achieve success (in business and industry) }] 前置詞句, 不定詞句をそれぞれ ( )でくくりだしておきました。 次に、 続く who~ は何なのか考えることになります。 前の who 内部に は先行詞になりそうな名詞もないので, it was the man [who ~] who. who 以下が二つとも, the man を修飾する (二重限定 例題34) と考え るかもしれませんが, そうすると, 「それは, ~であって······である人 であった。」 となり, it ｢それ｣のさす部分がないことに気づきます。 だ から,この考え方を捨てて, it was the man [who~]who ・・で、 分裂文であるという結論に達します。 「 なのは, ~ 人であった。」 分裂文と関係詞の識別については, 例題31, 32の<参考>にも目を通して おいてください。

お願いします🤲

65. 各文の誤りを訂正せよ。 (早大) (1) He is older than any other boys. (2) The later half of the program was very interesting. (**) (3) You should read in the least one book every month. (北大) (4) I prefer walking than riding. (帝塚山学院大) (武蔵大) (5) The article is more inferior than the sample. (6) I think the heat of this year is much severer than last (神戸大) year. (7) Of all the foods we can get I like smoked ham most. (島根大) (8) He has more money than he cannot spend. (神戸商船大) (9) This is the most interesting book I have never read. (立正大) (10) He feels the happiest when he is reading comfortably at home. (DAITH

和訳お願いします。

次の英文を読んで, 設問に答えなさい。 [5] The headline grabs your attention: "The ancient tool used in Japan to boost memory." You've been The Japanese art of racking up clicks online more forgetful recently, and maybe this mysterious instrument from the other side of the world, no less! could help out? You click the link, and hit play on the video, awaiting this information that's bound to change your life. The answer? A soroban (abacus). Hmm, () それは私がどこに鍵を置いたか覚えておく助けになりそうには ないですよね? This BBC creation is part of a series called "Japan 2020," a set of Japan-centric content looking at various inoffensive topics, from the history of Hiroshima-style okonomiyaki pancakes to pearl divers. The abacus entry, along with a video titled "Japan's ancient philosophy that helps us accept our flaws," about kintsugi (a technique that involves repairing ceramics with gold-or silver-dusted lacquer), cross over into a popular style of exploring the country: Welcome to the Japan that can fix you. For the bulk of the internet's existence, Western online focus toward the nation has been of the "weird Japan" variety, which zeroes in rare happenings and micro "trends," but presents them as part of everyday life, usually just to entertain. This sometimes veers into "get a load of this country" posturing to get more views online. It's not exclusive to the web traditional media indulges, too but it proliferates online. Bagel heads, used underwear vending machines, rent-a-family services - it's a tired form of reporting that has been heavily criticized in recent times, though that doesn't stop articles and YouTube videos from diving into "weird Japan." These days, wacky topics have given way to celebrations of the seemingly boring. This started with the global popularity of Marie Kondo's KonMari Method of organizing in the early 2010s, which inspired books and TV shows. It's online where content attempts to fill a never-ending pit - where breakdowns of, advice and opinions about Kondo emerged the most. Then came other Japanese ways to change your life. CNBC contributor Sarah Harvey tried kakeibo, described in the headline as "the Japanese art of saving money." This "art" is actually just writing things down in a notebook. Ikigai is a popular go-to, with articles and videos popping up all the time explaining the mysterious concept of ... having a purpose in life. This isn't a totally new development in history, as Japanese concepts such as wa and wabi sabi have long earned attention from places like the United States, sometimes from a place of pure curiosity and sometimes as pre-internet "life hacks" aimed making one's existence a little better. (B) The web just made these inescapable. There's certainly an element of exoticization in Western writers treating hum-drum activities secrets from Asia. There are also plenty of Japanese people helping to spread these ideas, albeit mostly in the form of books like Ken Mogi's "The Little Book of Ikigai." It can result in dissonance. Naoko Takei Moore promotes the use of donabe, a type of cooking pot, and was interviewed by The New York Times for a small feature this past March about the tool. Non- Japanese Twitter users, in a sign of growing negative reactions to the "X, the Japanese art of Y" presentations, attacked the piece... or at least the headline, as it seemed few dove the actual content of the article (shocking!), which is a quick and pleasant profile of Takei Moore, a woman celebrating her country's culinary culture. Still, despite the criticism by online readers, the piece says way more about what English-language readers want in their own lives than anything about modern Japan. That's common in all of this content, and points to a greater desire for change, whether via a new cooking tool or a "Japanese technique to overcome laziness." The Japan part is just flashy branding, going to a country that 84% of Americans view positively find attention-grabbing ideas for a never-ending stream of online content. And what do readers want? Self-help. Wherever they can get it. Telling them to slow down and look inside isn't nearly as catchy as offering them magical solutions from ancient Japan.

□62がasになる理由を教えて頂きたいです。

explaining the mysterious concept of ... having a purpose in life. This isn't a totally new development in history, as Japanese concepts such as wa and wabi sabi have long earned attention from places like the United States, sometimes from a place of pure curiosity and sometimes as pre-internet "life hacks" aimed 61 making one's existence a little better. (B). just made these inescapable. exotic At& The web as ization ~10 at 生涯 There's certainly an element of exoticization in Western writers treating hum-drum activities secrets from Asia. There are also plenty of Japanese people helping to spread these ideas, albeit mostly 6225 the form of books like Ken Mogi's "The Little Book of Ikigai." 2

なぜ2番なのですか？

337 Do you have to eat the whole of a bad egg to know ZOO bad? when 2 that 3 what 4 which CASUARRIO 000 VES ) it is TSE <中部大 >

2枚目の画像の赤線部分の 「A man that had his life enter the twists and turns that occur in all our lives, but in his case, the road stopped much too ... 続きを読む

次の英文を読んで, a~ f の 2 ]内の語(句) を正しく並べ替え, 本文中の 【 (1) 】 ~ 【(6) 】の適切な場所に入れなさい。 (a,bなどの記号は書かず,並べ替えた英文を記入するこ と) My first real job. Thirteen years since high school in training, in hospitals, in books. All of a sudden at 8 a.m. tomorrow morning I would suddenly become Dr. Dhillon. Time to heal and fix. I began my first real posting as a rural physician in a small town in rural Saskatchewan. A beautiful little hospital, staff happy to see a young doctor in town, and the welcoming red and green of the local Co-op sign. The day began innocuously enough: morning rounds at the hospital, learning about all the patients who had been handed over to my care for the next two weeks; trying to decipher other physicians' illegible writing and promising to never let mine get that bad, and failing quickly at that. C "Hello, good morning. My name is Dr. Dhillon and 【 (1) little while until your doctor is back." With a vague idea of what was actually happening inside each patient's body, and not a clue what was happening in their minds, I popped in from room to room as 【 (2) 】 of things to check and recheck after the morning ward round was done.//Thankfully, the nurses were there to handle any miscues and give me a vital, two-to-three-sentence summary of the patient and any concerns before entering into their realm with a quick knock on a half-opened door. When I got to the last patient I was to see that morning, I found his door was closed. It was at the back corner of the hospital. It was darker. "This is Gary, he's dying." The nurse's tone of voice lowered, naturally, to the level we use when discussing death, just in case death was nearby and would hear and come hither to hasten the process. "Metastatic, it was too late when he came in. Really sad story. He's still so young." She continued. I gently knocked, lighter, more gently 【 (3) 】 a gall-bladder attack whom I had just chatted to. "Hello Gary, how are you this morning?" is what I said. "Hello, who are you?" he asked. "My name is Paul and I'll be your doctor until your normal doctor comes back." I couldn't bear to say I was Dr. Dhillon. What was I going to doctor in his case? "I'm leaving on Tuesday. Next week. To be closer to home," he said. "That's great, so that's something to look forward to then." Inside, I wondered, Was that