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No. Port 1 A 36-year-old Japanese designer (who didn't speak any Italian decided to work for Pininfarina, a famous Italian designers produce world-famous cars, Ferranフラーリ design studio whose dessen torre Date G49 「目格 Cast Iron including Ferraris He had been in charge of a car-design ~を担当する center in California and had his own office and secretary. 状況的理由 ② With the new job however, his salary would go down by fifty →を考えると新しい仕事となると percent, and he would not have an office or a secretary of his own. Why did he want to change jobs despite all of these ~にもかかわらず teapot ティーポット、きゅうす Pininfarina ピニンファリーナ Italian イタリアのイタリア人の studio. 工房 スタジオ、仕事場・アトリエ at Pininfarina for a long time, because it is the only company long want 作品 Secretary 秘書・事務員 Salary 181 in the car-design world that announces the names of the 関代 disadvantages? In fact, he had longed to create his own work 実際は 給料 despite にもかかわらず disadvantage 不利な立場、デメリット 公表する、発表する GM announce D ジェネラルモーターズ people who have designed the cars. After working for GM (General Motors) for eight years and Porsche for two years, he restarted his career as a designer at Pininfarina. Seven years later, Enzo Ferrari, an anniversary model 同格 named after the founder of the company was announced at ~にちなんで the 2002 Paris Motor Show, and the designer's name was made public: Okuyama Kiyoyuki. が motor モーター、エンジン Porsche ポルシュ restart 再発再出発させる career仕事、職業 Enzo エンゾ ・周年記念日記念行事 anniversary founder B 創立者、創設者 public 一般の人々の、大衆の かたい表現 知れわたった despite = in spite of ~にもかかわらず、 = yet ~だけれども = Still long want long園を思いこがれる 切望する 20
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hot - any ~すること A 36-year-old Japanese designer (who) didn't speak any Italian) decided to Work Jag 全く~ない Mry V 57482 a lamees Italian design studio whose designers produce world famous cars including Ferreris. • <with the new job> 状況的理由を考えると人 the only com pahy pany < in ->(that) announces 関代 the names of the people who have designed the cars).) 12 work for A (Aに勤める) 関代 雇用関係 * work at A (Aで働いている) work in 勤務先 Q1 Because he had longed to create his own work at Pininfarina. He was going to lose his saraly and own office Q2 The company announces the names have de singned the cars.. own secretarly. of the people who It was a only company announces the desinger's name. Q3 The model named after the founder of the company. it is an aniversary model named after the founder of the company 13 先行詞 (whose +~) whose は名詞とセットになる 所有格の関代 make a career named A atter 2
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Part 2 Dato bashing reject 拒絶する spy スパイ、密偵 consecutive 連続した。 cultural 文化、文化的な barrier 防壁、さく妨げ director Campaign Okuyama's career has never been a simple one. After graduating from an art college in California, he became the first non-American designer at GM, when Japan bashing was taking place. There were campaigns to destroy Japanese cars. His designs were sometimes rejected for unfair reasons. Sometimes he was even suspected of being a spy. とう Although it was surely the hardest time in his life, his efforts 確かに~だけれども led him to be chosen as the best designer in his three consecutive years. company for Okuyama learned the importance of communication from his experiences. He struggled to communicate in foreign 奮闘する languages and overcame cultural barriers in the U.S., 乗り超える② Germany, and Italy. "Silence is evil," he says. "Communication is the key to success) and even for ~さんも designers, it makes up two thirds of their work. You have to find true customers and get the right information from them. 確実に キャンペーン、運動 Design for them, and make sure that you communicate the go after product's information to them. Whether you can design an ~かどうか S excellent product or not depends on your ability to ~するための communicate In 2006, though he had become the first non-Italian design director, he decided to leave Pininfarina. He had found another dream to go after (A) (A)~を追いかける
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= but at that time When Japan bashing 非制限(その時) was taking place. (Some times) he was even suspected being a spy his efforts led him to be chosen as 4.S ~によって ~するように できるようになる 不定詞 fu se my plan refuse 断る my suggestion to do 2 reject (4 take place A (Aが起こる、生じる) (-happen) suspect A of B •Ⓒ doubt ~てないと疑う Communication is the key (to success), and ⑦Imakes. C up] two thirds of 形~するための つくられている A. (Aから構成する) S V 15 makes up 16 go after 追いかける QI Q2 Japanese bashing was taking place). Communication is It is communication. andmake surethat You have to ~
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Part 3 innovative 刷新的な Server園 サーバーポット 店員 refill ⑩ all started in a family restaurant in Okuyama's Ⅰ Port 3 another dream hometown in Yamagata Prefecture. He came back home 原因理由 from Italy for the holidays but felt sad to find waste) 目的のPor including old cars in his familiar mountains When he met 分機 his old friends, they kept talking about their town, business, keeping ~ける and future until the server got tired of refilling their coffee 「店員がコーヒーをつぎ直すのにうんざりするほど cups. It was obvious that their hometown was in a serious PSは明らかである直彼らの故郷は酷な状況でした C を再び満たす。補する situation with its industries going down and local shops 地元のお店は閉まってしまってい 付帯状況産業が低迷しているG50 obvious closed it was then that Okuyama decided to revive the local 明らかな、当然の見えすいた C industry industries with his designs, applying the production method 産業、工業、業界 that he had learned in Italy. revive を生き返らせる復興させる method 方法、筋道 factory 工場、製造 Scatter 0 With small factories scattered across the country, Italy's production owes much to small and medium businesses, and more than half of the companies with fewer than fifty employees export products of originality. They directly do business without any presence in Rome, while almost all ローマに拠点を置かずに世界直接取り引きする 一方でほとんどの ・・・をまき散らす。 四散する Japanese companies do business by way of Tokyo. owe のおかげをこうむる を借りている.を負っている employee 従業員社員 originality presence 出席、列席 combination 組み合わせ、結合 craftsman 職人熟練工 社 東京を経用して Okuyama and his friends launched the Yamagata Carrozzeria Project in 2003. The combination of his designs and the excellent skills of craftsmen in Yamagata allowed them to create innovative products. Their products, including a cast-iron teapot called Mayuy were highly 分構 evaluated in Maison et Objet in Paris. The news interested を評価する メゾン・エ・オブジェ many Japanese back home. employee ® 従業員 employer @雇い(
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Part 3 another dream all started in Drile . in― in 4 but felt sad <to find waste, V C unti including old cars, in -> the server got tired of refilling (their cottee S' ~まで • It was obvious that 5' + v' 18 付帯状況のWith with + 0 + C F -ing /P.P] の状態で l6 get tired ofA (Aにうんざりする) With it industries goingの状態で #Hie local shops closed" 0 V C Cups It was then that decided to revive the recal industries <with ->, その時だった <applying the pm (that he had learned in I)> 応用して 分詞構文 V 19 強調構文 強 that この文の一部 It is Owe A to B (AはBのおかげだ) (AをBに頼る) 114 016 almost all- ~ (ほとんど全ての) 017 by way of ~ (Aを経由して) 13 S allow Auto do 10 Q2 への逆に By using his holidays. They directly 3 They started it. できる Itwas, that have their They export product that they have originality.
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4 中心(カ)中核 virtue 美徳、徳 .prototype. 原型典型作品 another, when Okuyama showed a craftsman a plan for a 見せた . Port 4 No Date Core 園 Okuyama has always believed that craftsmen of great skill 接 should be the core of Japan's industry. However, they are not 動詞のsothat they have problems 0 without problems. ひとつには For one thing, it would seem that Japanese craftsmen do 代 接 注意を払う not much あま~ない . not pay much attention to what others say. They believe [pey V Japans crafts can produce goods that will sell well without anyone's helps ② 関代 They also seem to believe "Silence is a virtue." At one time or あるとき・いつか S に E J.c chair, the craftsman didn't say anything about it though he emphasis 強調重視重点 mindset] knew it wouldn't work. Sure enough, when a prototype came Laplan forachair 来の上 態度、方 reduce そうすれば out, it broke down easily. "I wish the craftsman had told me 結果 ~ならなあ 定法過去の過 the truth so that I could have saved time and energy," he said. 仮完 (だったのに) だったらな 減少させる。弱める Follower of communication, <thinking that they can n get their ideas 分構 理 V 支持者、ファン "The Japanese have placed little emphasis on the importance 不可算 ・the Japanese across without saying anything about them But I believe their ideas crafts pon ship that such a mindset has reduced the possibility of success in 職人の技能、名工の作品 attractive 魅力的な、すてきな contrast 差異対照 business." There is another problem; many of those excellent craftsmen are in their fifties and sixties, but they do not have young followers (to hand down their craftsmanship to l 若い後継ぎ 伝えるべき Generally speaking, as craftsmen in Japan are not highly because 理 respected or paid, young people do not find those jobs very attractive. In contrast, in Italy, craftsmen of great skill are 対 respected and paid accordingly, about ten times higher than 場合によっては Japanese craftsmen in some cases. Japan should honor and value craftsmen more, or it will lose a very important resource. そうしないと 職の技術
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No For one thing, it would seem that J.C do not play (it seems の下) ~のようだ Cate much attention to what others say.]] あまり〜ない 不算 関代 I wish the craftsman had told me the truth, 20 that I could soved time and energy V" have placed A on B Aを13におく Q2 I wish S+過去形→夜過 →現 今~だったらなぁ S'+過去完了形→仮過 あの時だったらなあ 15 get A across ①売れると思っている Summary (Aをわかってもらう、伝える。理解させる) QP Because they seem to belive "Silence is a vinué Q2 In Italy, craftsman of great skill ore respected and Generally speaking case I skills 2 emphasis 3 Save 4 without 5 resource
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