これはなぜ1でもダメなのですか？ この問題は文脈で考えるのですか？

ーー で Foint 113 も。 Fug 44 の iyourselt. 3 e to doやyo 1 Idontundersand ( ) you た ①what ②which ⑨who ③④wl 人マー OO 月 (

下線部の訳の作り方お願いします

[ Unit9 文章を読み、設問に答えなさい。H4 Can you sketeh a landscape, or even a simple piece of fruit ja getting jn the way, says painting teacher and landecape artist David Dunlop. “People dont see ike acamera. he says. "We go through life anticipating what we are going to see and miss things" Tn his art classes, one of the firet things Dunlop tells studente is to stop identifying objecte and instead see scenes as colections of ines, shadowe, shapes and contours. Almost instantly students! sketches look more realistic and three-dimeneional.

文法的な間違いを教えてください！

をでドロニンンー rulation as several membert objected (⑳ We zfailed to 7reach a consensus On the neW re rhe proposal from Dr. Jackson っio jnclude 人 コ内の語句を並べ換え。 全文を書きなさい。(各 5 点)

本文1行目の(1)には addition,consideration,reflection ,relation のいずれかが入るのですが答えはなんですか？

国 以下の英文を読んで. 次の問いに答えなさい。 We often posiion ourselves jm ( () ) to others by the way that We lk in ditee。 jinds of interacion。 People do not ahways talK jp exactly the same Way all the tm。 they dont always pronounce words the same way。and they dont aways use the sm grammatical forms。 This kind of variation in speech is usually referred to as se shiftng. One of the theoried explaining this variation in sty jnto account who they are alking tO、and alter their speech style accordinghx Ths concept of audience design /provides an explanation of the reasons why speaken change the way they talk depending on the situation and context they are talkins mm. This account is based on the assumption 四that people are mainly seeking Show unity and approval in their dealings with others and one way that speakes can do this is through "jinguistic convergence, which means by changing ther patterns of speech to fit more closely with thOse of the person hey happen o talking to 0 Im some situations, speakers may choose not to converge. but ( ⑭ )o eb maintain their own variety, or move to a more extreme Yariety of their dialect in rd* to emphasize the diference between themselves and the iperson or people they lng to TPe GUEiOn Of grOHD mmembership and idenGty can determne the choR ek andLor Dimgwals which janenage o 肖 that speakers take プ Se When a chx made between two difierent languages the question of det ecomes even more marked, particularly when the choice is bound up wb 由 mational and polidical status of a Ianguage. Monica ーー 二ーー ーーLu

(7)の答えが3になる理由と日本語訳お願いします😭😭🙏🙏

QT donotlike( ) those things(by him in such a rude manner. (日本女子大) (p.80, 115) 3 ① telling ② to tell being told ④ having told (8)My mother objected ( ) the mountain alone. (南山大) (p.82, 121J ① to my climbing ② on my climbing ⑨ me in climbing ④ for me to climb

これであっておりますか？

Circle the correct pronoun. ュ へ W Tn 1 Thatbookis great ilove 0) mem. 3 Weinvited Ed, but him /(he)couldmt col 2 と to a cafe. 2 Where were you? 1 called your /yowtwice。 4 Wewentout Dad tookQs ) our

赤い線の意味がわかりません。 WhatとHowの使い分けを教えて下さい。

2衣( ) does this parcel Weigh* 人 ④ WT NRNSA ①How much ② How many What heavimess Wh we 424 】 What-?とHow 一? の使い分け , How かを判断することも大切。 _ Wiatdoyou+ think of/mean / call -? 是ow do you + Hike / feel / Spell / pronounce 一? What [ "How] do you think of the picture? (その絵をどう思いますか) What [How] do you meam by that? (それはどういう 意味ですか) | What ["How] do you cam this in English? (こ この件についてはどう邊いますカ| ほどうつづり[発音し] まけが | 240 (q ) [町までとのょうに ee本igo 8 人 このですか さ Go 247 (Whai do you think of the article ha まで来ま した」 242 (し) A:どれくらい頻第に外食しまま Oscussed in oia。。 2 (②③) あとどれく らいで映画は始まりますか {,朋に の 4ん (のの) この小包はののに2生3

誤りがある3つの文を正しく直していただきたいです

Mu 0 の 名 He was seen to stealing out of the room. He objected to accept such an absurd proposal After a lot of problems she managed to learn to operate the computer. You must have been too busy today. You look exhausting.

この問題の解説お願いします🙇‍♂️ 答えは21-②,22-⑥,23-③,24-①,25-④です。

Japan is one of the countries facing the most significant population decrease。 In 2014, the ountry's population was just under 127 milion people, but by 2040 the population is expected to fl to around 107 milion一and by 2050 the population will probably be undcr 100 milion. IMoreover the prOPortion of the Japanese population that is 65 years or lder is around 25%6 todey。 Tn contrast that percentage was only 796 in 1970. This high percentage of clderly people has eatcd fnancial problems for Japan。 Im particular。 it is difiicult for the country to pay for the Pensions and medical care ofretred people So what cmn Japan do to deal with this iuation? One obyious idea tiat many people have Tpoedis | 2 | the workng ageinJapan。 Uptonow people in Japanhawe usually sopped yoHding around the age of 65. TE people Would reire gt 70 instead, this would increase the oring population so that there would be more people to support the elderly and retired. Anoher benefit of people working longer is that by being active at work these older workers can stay healthy and also maintain their connection to societ- AS the populaton gts CHder in Japan。 companies are responding by | 23 | producs for cldedy consumers。 Some products may help Japan cope with is aging population. One example is the development ofrobot pets。 More and more clderly people are lonely becanse they are ving alone But aldng ce of a real pet can be diHicut for them。 | 24 | witharobotpetisome ay for eldcrly people to feel less lonely. Thcre are lso robots that can assist with nursing care。 Robot suits are also beimg developed that make it easier for a person to move or iR heavy objects Pan will need such technologies。 as well as policy changes。 it hopes to respond secssstulyto is | 25 | populaton. (Michael Schaucre・Tom Dilon・Koji Nshiya 4crive 7かgag Regdog の iii7g 人7owg 757opics 一部改変) ⑩ interactng @ becoming @ manufacturing @ simkng @ fcmg @ gaendig

蛍光ペンの部分の訳が「結局そういうことなのだろう」となるのはなぜですか？

Arguments that photography is or is not "real' seem to stake for granted the idea that reality itself is purely objective.( 2 ) amore sensible argument recognizes photography's inherent subjectivity as Well as its undeniable potential for authenticity. As Richard Lacayo wrote in the June 8, 1998 issue of 72ze: “Of the pleasures cameras give us, the transfiguration of plain reality is the most indispensable. It implies that the world is more than it seems一which after_all。it may_wellbe。lts …8 paradox too lovely to ignore and too profound to solve."