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英語 高校生

空所に入る単語を確認したいです 合っていますか? a-granted b-what c-分かりません d-water e-わかりません f-without

Living in India reveals our expectations ot the material world. 1 may think of myself as nonmaterialistic and disapprove of the Indian attachment to Western conSumer goods, but Im forced to realize that I take all too many of them for (g ) myself. As Westerners, our standard of living in India iS far higher than that of most people around us. We tell house rental agents that were just looking for something simple. But simplicity is relative. For We expect ( wー一一) Americans think of as basic requirementSs: electricitY, (⑮) a telephone, e-mail, flush toilet, hot and cold water. We are assured that all these things Wil be (a ). And in a way they are. But it takes five weeks for the telephone to be installed, sometimes it goes dead, and we cantuse it to call abroad. There is hot water, but not in the kitchen. The electricity goes out for half an hour every evening, and sometimes for longer periods during the day. The voltage is high enough to work the e-mail modem only before 9 am. The municipal (W ) supply shrinks to a trickle in the dry season, and sometimes the pump to our backup well fails. When the supply ijS adequate, the toilet flushes. So, all these basic services do ぶ( eーー一), but they are unpredictable. ( This is a healthy lesson. For one thing, it connects us with others. If one or another of these services isnt working, we share with neighbors or We do(W ) for a few hours, or for a day or two. They use our telephone if they need to: they bring us candles 寺 we have no electricity.

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英語 高校生

この英文の訳を教えてください!

本以下の天支を説み、問[1]ーhOl に答えよ。 mmem eeimmet me Yords 7e snd odemy did not erist。and (na_maouise om cam and run sway. Words are added to language 説ii5EBRIy aa new things are invented. Changes in eocicty also cause changes in Eimple。 today the people cf the former Soviet Union use words like なme *cap7Za/js7. itude aleo affect language。 As people become more sensitive to the rights 旧説Widdas it becomes necessary to change the words we use to *describe them. now called seior ogzeps 記Gf the words we once used had negative feelings attached to them_ New me me to idenhity people heve chaneet many Bmes in reeent ye Do we cal as person cf Ts it better to say page 4mercns or 4oerican Tf we dont know what the mst use sensitivity。 Teamec。 and en a idle imarination 8m our language in the past decade has been the changing role of ae witime when nn unmaried woman yas caled a wikward and sily, such as charrfor *chairman. 75sper for 6Peonle oNen feht change cntiiitbeeomes a famihar equally in 1anguage as well as in society. can cause changes in attitudes. If every person iize that men arent the only ones who are words that indicate only one *gender and females. Thus, a poetess is called uapkzoみ earzzg 7 75getper Partiy abridged) を受けるに値する spinster オー tion 大企業 ineman 鉄造の保線 efer 言及する gender 文化的・社

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英語 高校生

色をつけた部分の訳し方をお願いします。

ーー 次の英交を読んで, 後の設問に符えよ。 J Nor long ago, Bernard Levin wrote a piece in which he confessed,|a touch gleefulli, amd asleep。 and ra he loved. but haller ieft him cok artificial This、 coming frOm a art forms more artifcial than at he did not care for balet_ Ope ③ his he put dowm io the fact that he found it jover of opera. 1 found very strange。 There can be few 。 opera. in yhich the characters sing instead oC speak_ repeat things rathermore often an還識 we do in fe in a language which the audience scldom understands and play out a Stor7/ hich bas to be learnt beforehand if one j8 ー Twish TIiked opera. Treally do。 1have made every efforr Well quite a 知w efOrGS エ once heard Rossins TLa Cenerentola' on Radio 3 and enjoyed it a lo fnding it very fanny, ie despite not ( ⑮ ) the story。 There was a producton ( ⑥ ) in London a few months, Jater, so Iwent to see it一 and sat stonyaced throughout the entiro evening The onhy *Pit Tcan remember now was where a messenger yas being dispatched fronu court TgoTgoF he sang -Then go・sang is master ga TgoTago ・Then go, then go sang the chorus famigi 'e replk ttook him about tyo minutes to go. This 1 found quite fanny though 1 dont think ④ it was meant to be: る Butis notthis sort of arGificiality that disturbs me. The reason 1 dont hike opera 5 quite simply that 1 dont like the way they sing 環hnd the lassical convention of singtng whetherin opera or "ieder, so mannered, so alien andL T'snppose so unnatural that it NIS To become a good opera singer you have to gO through years of training in which the voice acquires a "timbre as artificial in its own way as the acting 2s in Noh plays or the dialogue in "situation comedies. Tf you like it is great If you dont @ (area closed プョンjsンartンwhole oo you. T havent discussed this with Bernard Levin for the simple reason that T haVe_neVer met him but I would imagine that there are sounds which he finds equalhy alien 一 the sound of the saxophone in jazz, perhaps or of the electic blues guitar, sounds which are o meat and dripk to me. IS a question of personal taste, perhaps of some kind of personal -chemish- Unfortunately for me。 there are some composers who wrote the kind Tjove but who decided to specialise in vocal music so ⑤ most of their output is o8 me *Bernard Levin : イギリス人ジャーナリスト (1928.2004) "bit : 「(劇, 映画などの) 一場面(部分」 "jieder :「リート : ドイツ歌曲] 単数形は lied。 "situation comedy : 「(テレビ・ラジオの) 6

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